Wednesday, May 29, 2019

Essay on Shakespeares The Tempest - Prospero and Shakespeare :: free essay writer

The Tempest, Prospero and Shakespe be   There can be no doubt that The Tempest contains numerous references to the theater, and while valety of Shakespeares plays make reference to the dramatic arts and their comparison to real life (e.g., all the worlds a stage), it is in this, his last play, that the Bard most explicitly acknowledges that the audience is viewing a show. Thus, in the plays concluding scene (Act I, scene i., ll.148ff), Prospero tells his prospective son-in-law Ferdinand that the revels at hand are almost at an end, that the actors are about to retire, and that the insubstantial pageant of which he has been a single-valued function has reached its conclusion. It is, in fact, tempting to equate the character of Prospero with that of his creator, the playwright Shakespeare. When Prospero sheds his magicians robes in favor of his civilian attire as the Duke of Milan, with the benefit of hindsight that this is Shakespeares last work and his crowning achievement, we are disposed to associate the learned sorcerer with the Bard of Avon. How far we are to take this identification, however, is moot.   Prospero of The Tempest, like Shakespeare in his late Romance period, is a mature man with a daughter (Shakespeare, in fact, had two daughters, his only son dying in childhood) at the height of his intellectual and creative powers. Prospero is a polymath, a pupil with a magic book from an entire library that so absorbed him that it was, dukedom large enough (I, ii. l.110). Prospero displays a tinge of regret for having neglected his bored office as Duke of Milan in favor of the life of the mind. Similarly, as virtually all of Shakespeares biographers have observed, the Elizabethan playwrights knowledge was exceedingly broad, leading many to imagine that he pursued a number of vocations before settling into a life in the theater, and we know from textual correspondences that Shakespeare was broadly read and that he go along to absorb knowle dge from diverse publications until his death. We can also speculate that Shakespeare regretted remaining away from his home in Stratford, at least insofar as his career in London kept him away from his children. Lastly, following The Tempest, Shakespeare, like Prospero, retired to civilian life, there being a period of five or six eld between his composition of that play and his untimely death at the age of fifty-two.

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